In my recent review of Don Coscarelli’s Phantasm, I made mention of the fact that I couldn’t quite comprehend what all of the fuss over the film was really about. By the end of my second viewing, I had more of a grasp on it, but still wasn’t quite there. Another film that had the same effect on me upon my first viewing was John McNaughton’s 1986 film, Henry: Portrait of a Serial Killer. This second viewing, however, [...]