At this point, I’ve seen a number of renditions of the tale of Dracula. From the Universal Studios’ classic take on the monster to Francis Ford Coppola’s iteration many years later, each adaptation has their own subtle twists on the original Bram Stoker novel. Terence Fisher’s 1966, Dracula: Prince of Darkness, is no different, with its own brand of Gothic horror in the great Hammer tradition.

Four English tourists arrive in the Carpathian Forest on their journey, which they [...]